EIGHT TIME MACHINES

ELAINE GAN
NOTES AS OF 2015-0CT-24

This is ongoing work that accompanies my dissertation, titled Time Machines: Coordinating Change, Resilience, and Emergence, at University of California, Santa Cruz.

My project articulates modes of coordination that thread through multiple scales, sites, and historical trajectories to make life possible and social. Grounded by research on Oryza sativa (the most commonly cultivated species of rice), this is a multi-sited study that builds on two approaches to collective life: first, a collective is more than human. It emerges across difference or radical incommensurability. And second, a collective is dynamic. It embodies multiple temporalities of change, resilience, and emergence. A collective coalesces through many ways of being (natures) and many ways of belonging (cultures).

The eight time machines here set out to map differential timing that structures specific modes of coordination. I am interested in how and when differences come together, how we might map the collective to include more-than-human cultures (i.e., vegetal, animal, microbial, and human), and why so much of collective life appears to be on the verge of irreversible collapse and inescapable contamination. I ask: what is "it" that co-ordinates living and dying? The eight time machines enact an interdisciplinary inquiry, a method for situating "it."

With thanks to Warren Sack (Advisor, Film + Digital Media), Anna Tsing (Anthropology), Karen Barad (Feminist Science Studies), and Maggie Morse (Film + Digital Media).

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